Drawing Inspiration From Real Life
Every story that I have ever started has drawn upon inspiration from my world, whether that be my family, my friends, or events that have happened in my life. The first book I ever wrote was actually about a fictional version of my family and their adventures in a strange, slightly fantastical land (but cut me some slack, I was only ten). Big moments and important people in my life do eventually manifest themselves as book characters, albeit with some significant modifications. Today, I thought I would share some of my favorite pieces of Chasing Fae that have been created from significant elements of my life.
Grace is a strong, independent woman who has found herself in a situation that she has no idea how to remedy. She is taking care of her mother and their home by working full time, and she’s planning this grand adventure to find out how her older brother died. She has this indomitable stubbornness that just radiates throughout everything she does. She’s honestly my favorite character that I have ever written.
Grace started out as the person that I wanted to be. I wanted to be able to take charge of my own life and stand up for everything I believed in with confidence. When I started Chasing Fae midway through my senior year, I was still very much hiding in the shadows. I had a lot to say, but no real way to say it without feeling shut out from my peers. I never seemed to say or do the right things, so there was a long period of time that I just stopped trying. Grace wouldn’t have stopped trying. She said what she thought without any care for the consequences, and although she does have an introverted side to her, she had no problem being bold when necessary.
But as I continued to develop and work on Grace, she took on a whole new life. She was a living, breathing character with rough edges and an emotional side that I had never anticipated her having. Her sadness manifests as anger and frustration, and when she keeps it tampered down for so long, she is bound to break. That emotional rawness that’s hiding behind this stubborn surface is something that I really admire about this character. I’m very proud to have written her into existence.
Leo is Grace’s older brother who has just died at the beginning of the book. I’ve touched a lot on where the inspiration for him came from in Sibling Bonds, but I want to dive in a bit more into what the character means to me.
The friend who acted as an older brother to me has been in and out of my life over the last year and a half, and it hasn’t been the prettiest. Every time I try to walk away and let it go, there is always that emotional side that ties me to answer one more text, send one more message. There’s this love and appreciation that just seems to override my instincts sometimes, to my benefit or detriment depending on the situation. I know that he is anxious to read the book when it does finally get published, and I do wonder sometimes how he will view the character, whether he will see any of his past self in him.
Leo, for me, is the closure that I needed. It is very critical that he is dead initially. Grace and Leo’s relationship has had its ups and downs, luckily more ups than otherwise. But she takes away this purely good, strong, and loving memory of him that she carries with her throughout the trilogy. In the first book, she’s chasing his memory, chasing whatever brought around his death. But readers are going to see her really connect with that grief and be able to open up as a person eventually.
The Upper Realm
The Three Realms was actually my first real attempt at worldbuilding, and the universe definitely has taken on a life of its own.
I’m going to focus on the Upper Realm because of its depth and richness in detail. I spent nearly four months on the Upper Realm alone as I was formulating my ideas about where the book was going to go. The Twelve Houses are based off of the twelve signs of the zodiac; I’m a intermittent fan of reading my horoscope and attributing zodiac traits to book characters. I never saw myself creating any less than twelve. Once the idea was there, it stuck, and I couldn’t do anything else. I liked the idea of incorporating opposing elements to create this perfect balance. Those elements became incorporated into the main alliances as well. Elemental magic has always been one of my favorite types of magic to read about in a fantasy novel, so I wanted to incorporate as much of that as possible.
The logical ones came first: Fire, Water, Wind (as a substitute for air), and Earth. Then light and darkness followed by day and evening, sun and moon. Then I was up to ten. I had to think for a while about what the last two elements would be. I finally came up with peace and war because I wanted to create two societies that would truly represent the balance. The House of Peace would not possess a standing army and would focus on education and the arts. It would be a universal trading partner. The House of War would be situated in a place with natural defenses (the mountains and the river) and be primarily cut off from the other eleven Houses. They would be entirely self-sufficient in a desire not to rely on anyone for assistance, and their soldiers would be the strongest in all the Realms.
The Upper Realm is what made me realize how much I LOVE worldbuilding.